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What Really Happened at M3 Studios in 2019

Since 2003, M3 Studios has been your local Favorite Film Studio in Miami. Now its 2020 and we’re adding another extraordinary year under our belt. In 2019 we had many breakthrough moments like that time that Lunay, Bad Bunny, and Daddy Yankee, shot the music video Soltera Remix right here in the studio, which by the way, now has 463 MILLION views. Like what?! And then we had Becky G and Myke Towers shoot their music Video for Dollar that has over 181 MILLION views. I don’t know about you but that’s a lot of people. To put it in perspective, those two music videos combined equal the population of China. Like that’s insane!! I am legitimately mind blown 🤯

 

M3 Studios has had many renovations through the years but in 2019 we had a full-on facelift!

It took us a lot of work and patience but, it is finally complete. We wanted to start our time consuming renovation process by batteling the exterior first. With over 20 men working on various sections at a time, filling in cracks, sanding down, priming, and finally painting it took us a very long time to get the exterior to where it is now. We also added a glass ceiling to our outside patio area, and it took over 6 men to put up one glass at a time to make sure it didn’t crack. Lets just say, the panic attacks are finally done. After the construction and fixing was done we called in some local artist to finish up the job. They did such an amazing job adding mesmerizing murals to the once blank canvas.

We also renovated our support areas in Studio C, but you will have to check in for our next blog to see that. We added new services that include event space, exotic car rentals, office space, SRT Team, etc. We definitely did a lot and spent a lot of time, money, effort, and struggle, but it is finally done and we are so excited to show it off.

Now that was in 2019. In 2020, we have a lot of more surprises in store. Which includes but definitely not limited to… Updated website to make it easier to choose the stage that’s right for you, providing stunts and rescue services to clients, ability to capture ‘behind the scenes’ on-site, exotic vintage vehicle rentals on-site, a new
studio/rehearsal space, renovating studio support areas, interior art mural project, new standing sets, and so many more upgrades. You won’t want to miss out on all the new goodies we have in the works!

But for now, with over 7 different Studios, you are sure to find a space that accommodates your every need. From green screens to CYC walls to sound stages, support areas, and short term production offices, we’re the perfect match for your production.

 

We want to be apart of YOUR 2020 production journey!!

We only know where we’re headed if we understand where we came from. So now with our 20/20 vision 😎 let’s look back at some of the best moments in 2019 that happened here at M3 Studios!

Let us help you reach a breakthrough in 2020 with your productions!

We have a lot of awesome new additions coming in 2020. A revamped new look to the studio on the west side of the facility, renovations in our support areas, and a bunch of more little secrets.

You won’t want to miss out on a whole new M3 coming your way in 2020.

 

Check out some of the exterior renovations we did in 2019 for your self! 

Before                                            Process                                                After    

                      

                                                                                                                                                        

                                                                                                                        

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Challenges Facing Independent Filmmakers

Independent is the only true form of art; nobody doubts of an independent ballerina, writer, or sculptor, but when it comes to an independent film studio, the concept of independence seems to be unusual. To be independent in the film industry you need to be free from something, commonly the matrix of companies that dominate the production and distribution of film production in America. Most of the productions are made in Hollywood, a multi-million dollar business; and anyone who produces a film outside of this exclusive factory has to call itself  “independent” to be distinguished from the suit; however, as long as a film is screened in commercial theaters, or aired on pay or network TV, “independent” is a relative term.

It is not a secret for anybody that film industry is not as healthy and successful as it used to be. Hollywood is certainly thriving, and the future of the industry is bounded to the success of independent filmmaking, where the majority of personnel of Hollywood got their start. Unfortunately, independent filmmakers face several challenges, most of them have existed for decades, while others have recently appeared due to new technologies in the industry. The best way to face these challenges is by taking advantage of them, in order to use the weaknesses in our favor, though it might seem to be absurd.

Challenges Facing Independent Filmmakers:

Money and Financing

The majority of independent producers will agree that the most difficult task is raising money to pay for the production. The truth is that raising money is the key to any independent film, regardless of the position, experience, and past credits of the people involved. To choose the method that will fit better with the production is important to consider factors such as the type and subject of the film and the experience behind the cast and crew involved in the project. It is common to use crowdfunding platforms to raise money or to secure increasingly elusive government grants for short films. In fact, “the most beneficial situation for the filmmaker would be to receive 100% of the film costs from an equity sale in exchange for substantially less than 100% of the income” in a range of 25-50% according to “The Independent Filmmaker’s Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films”. Even though filmmaking should be commercially viable without the need for public funding, is important to remember that people or organizations invest in the films to make profits out of them; therefore film budgets need to stand the scrutiny of investors seeking cost-effective production, as well as a reasonable rate of return.

 

 

Digital Revolution

Digital revolution has transformed the film industry, including production, editing, post-production, marketing, and distribution processes. These technological innovations have forced film studios, rather independent or not, to respond to the popularity of the internet and the success of new digital platforms guided by a potential for profit. In fact, the widespread use of digital media technologies has resulted in considerable cost reductions, which have helped create more product than buyers. Additionally, the affordability of making films on digital media has increased competition. Several filmmakers fear bankruptcy; however, the challenge to filmmakers is to make unique genre-specific movies using digital technology. The genre is the only way that a film buyer and the marketing manager of a distribution company can quickly visualize the movie poster, trailer, and marketing campaign.  The industry is changing into a more consumer-centric one, nowadays consumers can enjoy podcasts, web shows, and can access them by downloading or streaming the product. It is important to focus on the benefits that the digital revolution has brought such as worldwide distribution and instant access to the final product.

 

Decline of Innovative Storytelling

Nowadays is more frequent to see sequels and remakes of stories we loved instead of new stories to enjoy.  It seems like the industry has reached a point of fatigue in which lack of ideas is the common denominator, resulting in low expectations among audiences; additionally, the gaming industry, which breeds on digital technology, has been influencing storytelling in the film industry. In fact, the incorporation of gaming techniques in terms of storytelling and visualization will make movies stronger; it is mandatory for independent film studios to focus their efforts on unique storytelling, these new ideas will stand out more than they have in the past.

 

Creative Control

In Hollywood, everybody has a specific role to accomplish, and there is a budget for that, but in the independent filmmaking industry is common to have limited resources. A low budget makes people assume multiple roles in order for a film to be produced at the lowest cost possible, as director Benjamin Dickinson said: The biggest challenge that I had making the film was just that I was wearing too many hats. This de-emphasis on specialization means individuals are less likely to develop the specialized skills that Hollywood and large film agencies demand. Ultimately, it is a hit or a miss, depending on the director’s ability to wear multiple hats.

Essentiality of Social Media

Social media is becoming an essential part of a film’s package, that is why it is necessary to adopt a robust social media strategy in order to evaluate what is making an impact. Nowadays, we have more access to data than ever before that can help filmmakers to understand the audience they are trying to reach,  and create not only awareness but stronger loyalty and engagement for the long term; unfortunately, filmmakers are not collecting and analyzing efficiently their data. As an example, ‘Paranormal Activity’ may have cost a mere $15,000 to make. What Paramount bought was not the film, but the social media strategy that the filmmaker Orin Pelli developed around his film.

Film Distribution

The traditional film distribution model has been working good for big budget films, but for many other mid-, small- and micro-budget films it is almost impossible to achieve the results desired. Additionally, independent filmmakers end up competing against each other for limited attention and fragmented audiences due to the fact that there are too many films being made. At a movie theater, independent films face several challenges more than a regular film. First, they need to put in the effort of distinguishing themselves from the other independent films that are opening at the same time. Secondly, they need to invest in identifying their audience efficient. And thirdly, they need to be worthy for the audience that will pay for the ticket. Independent filmmakers are beginning to explore Video On Demand  (VOD) as a distribution method. Thus it allows filmmakers to reach larger audiences with relative ease, streaming services don’t provide nearly the same return as physical sales of DVDs; therefore, many independent filmmakers fear that this technology may lead them to go bankrupt if they are not able to attract the same volume as larger Hollywood films that garner millions of viewer. To overcome this issue, independent filmmakers often develop a hybrid distribution strategy that encompasses traditional releases with online distribution in platforms like Netflix and Amazon Prime.

Conclusion

The independent film industry is full of challenges as summarized in this article. Film studios normally face issues raising money to pay for the production, making unique genre-specific movies using digital technology, incorporating gaming techniques in terms of storytelling and visualization to make
movies stronger, assuming multiple roles in a film to reduce costs as much as possible, understanding the audience they are trying to reach, and distributing the final product through different channels. Although these are challenges that can be recognized easily, the solutions seem to be far away whether for the companies themselves or those public sector agencies which support the industry. Unfortunately, the structure and economics of independent film productions are not well suited to build sustainable companies which leads to a  number of serious challenges that threaten to limit filmmakers’ creativity and push the industry even further into the shadows. It is important that the industry focuses on finding solutions to these pressing issues. As viewers, we just enjoy the final product without understanding all the challenges that filmmakers faced behind the scenes. We need to internalize that making a great movie goes above working extremely hard, and having luck; the truth is that it needs love, passion, commitment, and tons of patience, especially if we are talking about independent films.

 

Filmed At M3: Magazeen – Black Panamera ft. Wale

Another installment of “Filmed At M3”, we have a Maybach Music Group music video that was filmed at M3 Studios.

Magazeen shot his “Black Panamera” music video in Studio C. Using the cyc wall to showcase a few Porsche Panamera’s that played well in the black and white video, with dance choreography adding to the energy of the record.

Check out the music video and schedule a visit to find out why artist prefer shooting their music videos at M3 Studios

— @HollywoodHenry

http://youtu.be/e2zyZa7cHaM

M3 Studios Tapped to Provide Production Expertise for “El Capo 2” While Shooting in South Florida

MIAMI – Nov. 26, 2012: Spanish-language network MundoFox is currently airing new episodes of the successful drama “El Capo 2”. “El Capo 2” will run weekdays at 9:00 p.m. EST/8:00 p.m. CST. “El Capo” is one of the biggest Spanish language series to come out of Colombia, with 2.2 million likes on its Facebook page as well as a rating of 7.1 out of 10 on the Internet Movie Database (IMDB). It is also the most expensive, costing 18 billion Colombian pesos (10 million USD) to produce. “El Capo” is the story of Pedro Pablo Jaramillo, a man who becomes one of Colombia’s most notorious drug traffickers. It’s only after he’s discovered by the law that everything starts coming apart, which is where “El Capo 2” picks up.

“El Capo 2” starts with Jaramillo traveling to Miami to do two things: escape the detective who is chasing him, and break his wife and daughter out of prison. The geographical move in the TV show translated to a geographical move for production as well: after a whirlwind of schedule changes due to upcoming hurricanes, producer Lyonel Montells, almost singlehandedly brought production of “El Capo 2” to Miami for 15 consecutive days of shooting wile working with Plural Entertainment and M3 Studios. The production took place on land with car chases, crashes and gun shootouts, on the air with helicopters landing in the middle of downtown Miami, and at sea with fleets of over 15 vessels. M3 Studios handled all the logistics of vessels, stunt vehicles and coordinations, weapons & ammunition, special effects, security and even location scouting and casting. Even the Head of M3 Studios, Raul Rodriguez, was put back in action as Stuntman, Gun Wrangler, FX, Stunt and safety coordinator for the duration of the Miami shoot.

To get a behind the scenes look at the scenes shot in Miami, visit M3 Studios website at http://www.M3StudiosMiami.com, the blog section will have an in-depth look at “El Capo 2” shooting in Miami, along side crew list who’s roles we would like to acknowledge for their contribution in making “EL Capo’s” Miami based production a success for Fox Telecolombia. Action sequences included multiple machine gun shootouts throughout the city of Miami. A daring car crash where a bus sidelined a police transport unit in the streets of Downtown Miami. This scene was filmed just three blocks from the real Federal Courthouse. Viewers can see this on episode 54.

The production took talent and crew to shoot at the Fowey Rocks Lighthouse, No Name Harbor at Bill Baggs State Park, Marine Stadium, Rickenbacker Causeway, Palm Island, the streets of midtown and downtown Miami, Bayside Marketplace, Bayfront Park and even the streets of Allapatah.

M3 Studios has been in the film business for nearly 10 years, with 7 soundstages and studios available for use. M3 also has 60,000 square feet of flex-space that can be used for any production need as well as a full network of personnel available. Contact us to receive a tour or quote for your next project.

“El Capo 2” Producers Fox Telecolombia Tapped M3 Studios Miami For Their Production Expertise While Shooting In Miami

Well-known Colombian drama series “El Capo 2” is back for a second season on MundoFox.

The second season, called “El Capo 2”, is the first program on MundoFox to be accessible to English-speaking viewers, as the episodes now feature English subtitles. It is also the most expensive series produced in Colombia at 18 billion Colombian pesos (the equivalent of 10 million U.S. dollars).

Fox Telecolombia, the company who produces “El Capo”, moved the series’ action to Miami for the show’s second season as part of the story elements. Fox Telecolombia utilized M3 Studios Miami production expertise and knowledge of the Miami market while shooting “El Capo 2”.

Production in Miami took place during a two-week time frame. Where crews shot scenes in Biscayne, Downtown Miami, & South Beach.

M3 handled the co-production in Miami, including everything from stunt & rescue coordination to security and police logistics to location scouting and even casting for extras and crew personnel.

Stay tuned to see some exclusive never before seen pictures from the production, we will be posting behind the scenes of the making of “El Capo 2” through our Website, Facebook and Twitter pages.

– M3 STUDIOS

 

The Technology Behind the Hobbit and Middle Earth

Bilbo Baggins reviews the colossal budget of his own adventure

 

It’s been eleven years since our first journey through Middle Earth, where Peter Jackson invested our hearts into the destiny of one tiny hobbit facing insurmountable odds against the forces of evil.

Our faith was rewarded with a triple crown of cinematic achievement as the Lord of the Rings trilogy killed it in every way a movie can be judged: Financially (2.97 billion world wide earnings), critically (17 Academy Awards including ‘best picture’), and sensually. It created a world of wonder and awe the likes of which had never been experienced on film.

Essentially, these films embodied all the reasons we attend midnight premiers, and we’re all better off for them.

Simply creating these films was a monumental technical achievement. Andrew Lesnie’s cinematography turned New Zealand into Middle Earth by painting each location with a spectral pallet that ranged from aesthetically elegant to viscerally haunting. The visual effects were groundbreaking, peaking during the claustrophobic battle at Helm’s Deep where thousands of Uruk-Hai charged at a pitifully outnumbered army of men clawing to survive. They also took one long leap in creating computer-generated characters with vitality, specifically the spiritually mangled creature, Gollum, whose lust for the ring gave Andy Serkis the type of sandbox every actor dreams of to bring that pain to life.

The best part of it all, in case you’ve really been living in Middle Earth the last few years, is that we get to go again. We’re all fidgeting with anticipation for the trilogy’s prequel, The Hobbit, to hit theaters in 2013.

Thankfully, Peter Jackson has maintained a video blog documenting plenty of behind the scenes content to keep fans engaged. Besides providing some great nerd porn, the videos give some fascinating insight into the technical aspects of the film, which are once again, setting the bar. We’ll go over a few of them.

http://youtu.be/2CtQGtwxTAc

 

Video 7 takes us on a tour through Stone Street Studios in Miramar, New Zealand, the headquarters of the whole production.  Here we see an enormous back lot they use, which doubles as a green screen. Notice the drapes they use above the lot to block out the sun.

At the 9:00 mark, they showoff their wireless, waterproof, shockproof, “surface rig” that sends a direct feed to the director’s chair while capturing underwater images. It looks like they’re using it to film a scene on a river.

The Hobbit will be broken up into two simultaneously filmed movies, both of which will be shot in 3-D. That’s right: They’re not just going to process 2-D images. The 3-D won’t be a cheap gimmick used to squeeze a few extra bucks from the audience. It’ll actually be integral to the story telling. Mirkwood Forest is already supposed to have some hallucinogenic elements to it, so just imagine how trippy it’ll feel to have its trees reach out for you.

The films will be shot using the Red Epic 3D cameras. The production has 48 of them (spare no expense). Because the lenses are so big, they have to use two for each shot to create the ocular effect that our eyes naturally produce.

They are going to double the frame rate of traditional film by shooting at 48fps, to put that in perspective, our eyes see at 60fps, so that screen in the cinema is going to feel like someone carved a rectangular hole in the wall and created a window into Middle Earth.

Peter Jackson did not want the 3D process to compromise his shooting style, which includes a variety of mobile shots. They developed a series of less cumbersome rigs to stay nimble and make the audience feel as if “the same filmmakers went back to Middle Earth to tell a new story.”

Another interesting note is that the Red Epic cameras tend to desaturated colors, so whole sets had to be painted like acid trips. The makeup and costume departments had to make their adjustments as well as a result. Some of the flesh tones on the actors are purposely exaggerated for that reason.

The Red Epic cameras operate at a 5K resolution. That’s downright magical when you consider that 4K technology is considered the next step in HD technology, and that’s already four times the resolution as the 1080p blue ray player currently in your living room.

That’s right folks: Quality will not be an issue: Here’s hoping they serve some midnight pints as we wait in line wearing our beards and chainmail.

How A Youtube Sensation Leapfrogged the Audition Process

How a Youtube Sensation Leapfrogged the Audition Process

He looks like a clone of Tom Cruise, has a Harvard education, and is single handedly reinventing the Hollywood dream. And it all started from being afraid.

Miles Fisher ironically admits that his greatest fear as an aspiring actor was standing in front of a casting director. Can you blame him? Hollywood can qualify for Dante’s tenth circle of hell, a purgatory for thousands of servers and bartenders waiting for a break that will likely never come.

Conventional wisdom tells us to lower our heads and confront our fears. Miles had a better idea. Why not save time and energy and avoid them altogether?

Appearing on Mashable’s Revolution with Brian Solis, the Harvard grad breaks down how he used the ubiquitous nature of social media to broadcast his music and get his face recognized. The strategy has resulted in roles on shows such as Mad Men and Gossip Girl, as well as, a meaty supporting role in Final Destination 5, an unforgettable Tom Cruise impersonation in Superhero Movie, and a chance to work with Clint Eastwood in the upcoming J Edgar.

Miles treats his career as a brand ( a notion that may not endear him to his more snobbish “acting should be pure “ contemporaries), and he understands that the best products (or talent) don’t always get the most exposure because modern humans are drowning in content. As a result, time is a currency worth more than gold, and to get people to invest it, you have to “prove that you’re worth watching.”

His take on the Talking Heads classic “This Must be the Place” molds the song’s lyrics into a parody of American Psycho, with Miles doing a spot on Patrick Bateman impersonation. Its production value is more polished than the standard viral content most people produce; consequently, the videos are released less frequently but create a buzz of anticipation, making them an “event.”

Below is a promotional video for Final Destination 5 funded by Warner Brothers after Miles convinced them of its potential to reach a new audience for the franchise. They rebuilt the entire set from Saved by the Bell, a nineties classic many Youtubers may not even remember, and got the entire cast from the movie to play different characters from the show. What follows is a laugh out loud parody of pandemonious gore to the tune of Fisher’s own “New Romance. “ This video gets it. It exploits the potential of viral marketing and demonstrates that simply putting your film’s trailer on Youtube is already considered an archaic marketing strategy.

In a world where everyone can create content, the trick is to engage the creators.

That’s right kids: Never let your parents tell you that Youtube is a waste of time. It can make you a star. Viral is the wild west and as Miles says “ In any emerging platform, it’s really important to not only take risks but be an awesome consumer. Know the conversation and what other people are talking about.”

The entire interview is a bit lengthy, but worth the watch as it is filled with great revelations on the direction of film, media, and human culture.

Click Here to watch:

http://mashable.com/2012/05/24/revolution-miles-fisher/

Hollywood Cinematography At The Tip Of Your Iphone

      Portable Cinema


The smartphone is modern man’s new appendage. If you’ve ever left it charging on the counter, as you enter the realm of rush hour traffic, you’ve likely felt handicapped, as if someone chopped off your dominant hand for the day. Smartphones are also the fastest growing, most widely absorbed form of technology in history according to this MIT Study, so it’s no surprise that there is an entire industry devoted to making the phone an extension of the consumer.


This evolutionary climate change has infiltrated the landscape of guerilla cinematography. The quality of viral movies is surging in proportion to their popularity. Check out this short film made entirely on the Iphone.

While smartphone cameras still have their limits, the Olloclip lens kit for the iPhone is the latest tool to bring a professional edge to mobile videos. It connects to your iPhone 4/4S within seconds, and with a simple flip, you can shuffle between fisheye, wide angle, and macro lenses. It will add unique variety to the often stagnant compositions available on most phones, and it fits in the palm of your hand. The storage bag is made of a micro fiber material that doubles as a lens cleaner.

The Ollokit is the perfect companion for anyone who uses the iPhone to chronicle his/her daily escapades, but it’s also a step in the right direction for amateur photographers and videographers who use their creative innovation to compensate for small budgets. At just under seventy dollars, it’s a third of the cost of similar products, and a fraction of the cost of the phone itself!

It’s also an indication of the integrative trend of mobile technology. The future is about efficiency, portability, and customization. Check out some sample videos below.

An intro to the lens system:

http://youtu.be/74HP-_2_nD0

Check out the Micro Lens in action

This is the Fisheye 

http://youtu.be/YxWtqJy5hEg

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