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Record-Breaking Moments at M3 Studios

So the M3 Studios team was in a meeting one day, and one of our team members asked: “How many views do you think all the productions that were shot here have combined?”. We all just stared at each other blankly. “I mean one music video literally has over 1.7 BILLION views alone. So easily over 6 Billion views altogether,” said another one of our team members. 

All of us were genuinely shocked by the number of views that music videos shot here at M3 Studios have. No matter if its altogether or separate videos, that’s a lot of views. And lets not even get started with all the achievements that the top celebrities in the industry have received because of their music video shot here at M3 Studios. 

This is the famous and colorful 3 spheres box. Created and set up right here at M3 Studios.

Let me just say that again, in case you missed it in the beginning… We’re talking about 1.7 BILLION Views, and that’s ONE video! That’s insane.

That was for the music video x (Equis) by Nicky Jam feat. J Balvin. They won so many awards for the song and music video, which including but not limited to, Billboard Latin Music Award for Airplay Song of the Year, Billboard Latin Music Award for Latin Rhythm Song of the Year, iHeartRadio Music Award for Latin Song of the Year!

Another artist that has had many record breaking moments her at M3 Studios is Ozuna. He has had phenomenal success throughout the years with over 913 MILLION views combined on his music videos Solita, Quisiera Alejarme, and Brindemos! 

We are so proud and please that Nicky Jam and Ozuna choose M3 Studios to shoot their record-breaking music videos. We are so happy for all the success that they have gained throughout the years.   

It takes a lot of work to produce a music video, so when we find out that an artist that choose M3 Studios to shoot their music video has reached such a wide audience around the world and has received so much recognition for their work, it warms our hearts. 

Click on the video below to check out more of Nicky Jams and Ozunas achievements made right here at M3 Studios!

 

 

We pride ourselves on the fact that we have created a studio where anyone can come and be creative. A creative outlet that is secure and comfortable for you to think freely and without any judgment. And this is not for the big huge stars, but also our local icons. We are the studio for everyone and any production, event, or photoshoot. 

Whether you wanna keep it local or go global M3 studios have the capacity and amenities to house your production. With 7 production studios, 3 CYC walls, green screen studios, 6 editing bays, rehearsal space, event areas, and so much more. We’re talking about 122,000 Sq. Ft. of state-of-the-art studios, we can assure you that no production is too big or too small for M3.

Let’s keep it simple, we produce record-breaking content every day. All the major stars come to record their content here at M3 Studios because it’s the place to be. We make sure that your vision is brought to life, and that the only limits are your imagination. 

So what are you waiting for?

We are ready to produce your next groundbreaking content here at M3 Studios!

 

Check out Some Exclusive Behind the Scenes Pictures! 

                                                                                                                      

Challenges Facing Independent Filmmakers

Independent is the only true form of art; nobody doubts of an independent ballerina, writer, or sculptor, but when it comes to an independent film studio, the concept of independence seems to be unusual. To be independent in the film industry you need to be free from something, commonly the matrix of companies that dominate the production and distribution of film production in America. Most of the productions are made in Hollywood, a multi-million dollar business; and anyone who produces a film outside of this exclusive factory has to call itself  “independent” to be distinguished from the suit; however, as long as a film is screened in commercial theaters, or aired on pay or network TV, “independent” is a relative term.

It is not a secret for anybody that film industry is not as healthy and successful as it used to be. Hollywood is certainly thriving, and the future of the industry is bounded to the success of independent filmmaking, where the majority of personnel of Hollywood got their start. Unfortunately, independent filmmakers face several challenges, most of them have existed for decades, while others have recently appeared due to new technologies in the industry. The best way to face these challenges is by taking advantage of them, in order to use the weaknesses in our favor, though it might seem to be absurd.

Challenges Facing Independent Filmmakers:

Money and Financing

The majority of independent producers will agree that the most difficult task is raising money to pay for the production. The truth is that raising money is the key to any independent film, regardless of the position, experience, and past credits of the people involved. To choose the method that will fit better with the production is important to consider factors such as the type and subject of the film and the experience behind the cast and crew involved in the project. It is common to use crowdfunding platforms to raise money or to secure increasingly elusive government grants for short films. In fact, “the most beneficial situation for the filmmaker would be to receive 100% of the film costs from an equity sale in exchange for substantially less than 100% of the income” in a range of 25-50% according to “The Independent Filmmaker’s Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films”. Even though filmmaking should be commercially viable without the need for public funding, is important to remember that people or organizations invest in the films to make profits out of them; therefore film budgets need to stand the scrutiny of investors seeking cost-effective production, as well as a reasonable rate of return.

 

 

Digital Revolution

Digital revolution has transformed the film industry, including production, editing, post-production, marketing, and distribution processes. These technological innovations have forced film studios, rather independent or not, to respond to the popularity of the internet and the success of new digital platforms guided by a potential for profit. In fact, the widespread use of digital media technologies has resulted in considerable cost reductions, which have helped create more product than buyers. Additionally, the affordability of making films on digital media has increased competition. Several filmmakers fear bankruptcy; however, the challenge to filmmakers is to make unique genre-specific movies using digital technology. The genre is the only way that a film buyer and the marketing manager of a distribution company can quickly visualize the movie poster, trailer, and marketing campaign.  The industry is changing into a more consumer-centric one, nowadays consumers can enjoy podcasts, web shows, and can access them by downloading or streaming the product. It is important to focus on the benefits that the digital revolution has brought such as worldwide distribution and instant access to the final product.

 

Decline of Innovative Storytelling

Nowadays is more frequent to see sequels and remakes of stories we loved instead of new stories to enjoy.  It seems like the industry has reached a point of fatigue in which lack of ideas is the common denominator, resulting in low expectations among audiences; additionally, the gaming industry, which breeds on digital technology, has been influencing storytelling in the film industry. In fact, the incorporation of gaming techniques in terms of storytelling and visualization will make movies stronger; it is mandatory for independent film studios to focus their efforts on unique storytelling, these new ideas will stand out more than they have in the past.

 

Creative Control

In Hollywood, everybody has a specific role to accomplish, and there is a budget for that, but in the independent filmmaking industry is common to have limited resources. A low budget makes people assume multiple roles in order for a film to be produced at the lowest cost possible, as director Benjamin Dickinson said: The biggest challenge that I had making the film was just that I was wearing too many hats. This de-emphasis on specialization means individuals are less likely to develop the specialized skills that Hollywood and large film agencies demand. Ultimately, it is a hit or a miss, depending on the director’s ability to wear multiple hats.

Essentiality of Social Media

Social media is becoming an essential part of a film’s package, that is why it is necessary to adopt a robust social media strategy in order to evaluate what is making an impact. Nowadays, we have more access to data than ever before that can help filmmakers to understand the audience they are trying to reach,  and create not only awareness but stronger loyalty and engagement for the long term; unfortunately, filmmakers are not collecting and analyzing efficiently their data. As an example, ‘Paranormal Activity’ may have cost a mere $15,000 to make. What Paramount bought was not the film, but the social media strategy that the filmmaker Orin Pelli developed around his film.

Film Distribution

The traditional film distribution model has been working good for big budget films, but for many other mid-, small- and micro-budget films it is almost impossible to achieve the results desired. Additionally, independent filmmakers end up competing against each other for limited attention and fragmented audiences due to the fact that there are too many films being made. At a movie theater, independent films face several challenges more than a regular film. First, they need to put in the effort of distinguishing themselves from the other independent films that are opening at the same time. Secondly, they need to invest in identifying their audience efficient. And thirdly, they need to be worthy for the audience that will pay for the ticket. Independent filmmakers are beginning to explore Video On Demand  (VOD) as a distribution method. Thus it allows filmmakers to reach larger audiences with relative ease, streaming services don’t provide nearly the same return as physical sales of DVDs; therefore, many independent filmmakers fear that this technology may lead them to go bankrupt if they are not able to attract the same volume as larger Hollywood films that garner millions of viewer. To overcome this issue, independent filmmakers often develop a hybrid distribution strategy that encompasses traditional releases with online distribution in platforms like Netflix and Amazon Prime.

Conclusion

The independent film industry is full of challenges as summarized in this article. Film studios normally face issues raising money to pay for the production, making unique genre-specific movies using digital technology, incorporating gaming techniques in terms of storytelling and visualization to make
movies stronger, assuming multiple roles in a film to reduce costs as much as possible, understanding the audience they are trying to reach, and distributing the final product through different channels. Although these are challenges that can be recognized easily, the solutions seem to be far away whether for the companies themselves or those public sector agencies which support the industry. Unfortunately, the structure and economics of independent film productions are not well suited to build sustainable companies which leads to a  number of serious challenges that threaten to limit filmmakers’ creativity and push the industry even further into the shadows. It is important that the industry focuses on finding solutions to these pressing issues. As viewers, we just enjoy the final product without understanding all the challenges that filmmakers faced behind the scenes. We need to internalize that making a great movie goes above working extremely hard, and having luck; the truth is that it needs love, passion, commitment, and tons of patience, especially if we are talking about independent films.

 

M3 Studios Tapped to Provide Production Expertise for “El Capo 2” While Shooting in South Florida

MIAMI – Nov. 26, 2012: Spanish-language network MundoFox is currently airing new episodes of the successful drama “El Capo 2”. “El Capo 2” will run weekdays at 9:00 p.m. EST/8:00 p.m. CST. “El Capo” is one of the biggest Spanish language series to come out of Colombia, with 2.2 million likes on its Facebook page as well as a rating of 7.1 out of 10 on the Internet Movie Database (IMDB). It is also the most expensive, costing 18 billion Colombian pesos (10 million USD) to produce. “El Capo” is the story of Pedro Pablo Jaramillo, a man who becomes one of Colombia’s most notorious drug traffickers. It’s only after he’s discovered by the law that everything starts coming apart, which is where “El Capo 2” picks up.

“El Capo 2” starts with Jaramillo traveling to Miami to do two things: escape the detective who is chasing him, and break his wife and daughter out of prison. The geographical move in the TV show translated to a geographical move for production as well: after a whirlwind of schedule changes due to upcoming hurricanes, producer Lyonel Montells, almost singlehandedly brought production of “El Capo 2” to Miami for 15 consecutive days of shooting wile working with Plural Entertainment and M3 Studios. The production took place on land with car chases, crashes and gun shootouts, on the air with helicopters landing in the middle of downtown Miami, and at sea with fleets of over 15 vessels. M3 Studios handled all the logistics of vessels, stunt vehicles and coordinations, weapons & ammunition, special effects, security and even location scouting and casting. Even the Head of M3 Studios, Raul Rodriguez, was put back in action as Stuntman, Gun Wrangler, FX, Stunt and safety coordinator for the duration of the Miami shoot.

To get a behind the scenes look at the scenes shot in Miami, visit M3 Studios website at http://www.M3StudiosMiami.com, the blog section will have an in-depth look at “El Capo 2” shooting in Miami, along side crew list who’s roles we would like to acknowledge for their contribution in making “EL Capo’s” Miami based production a success for Fox Telecolombia. Action sequences included multiple machine gun shootouts throughout the city of Miami. A daring car crash where a bus sidelined a police transport unit in the streets of Downtown Miami. This scene was filmed just three blocks from the real Federal Courthouse. Viewers can see this on episode 54.

The production took talent and crew to shoot at the Fowey Rocks Lighthouse, No Name Harbor at Bill Baggs State Park, Marine Stadium, Rickenbacker Causeway, Palm Island, the streets of midtown and downtown Miami, Bayside Marketplace, Bayfront Park and even the streets of Allapatah.

M3 Studios has been in the film business for nearly 10 years, with 7 soundstages and studios available for use. M3 also has 60,000 square feet of flex-space that can be used for any production need as well as a full network of personnel available. Contact us to receive a tour or quote for your next project.

“El Capo 2” Producers Fox Telecolombia Tapped M3 Studios Miami For Their Production Expertise While Shooting In Miami

Well-known Colombian drama series “El Capo 2” is back for a second season on MundoFox.

The second season, called “El Capo 2”, is the first program on MundoFox to be accessible to English-speaking viewers, as the episodes now feature English subtitles. It is also the most expensive series produced in Colombia at 18 billion Colombian pesos (the equivalent of 10 million U.S. dollars).

Fox Telecolombia, the company who produces “El Capo”, moved the series’ action to Miami for the show’s second season as part of the story elements. Fox Telecolombia utilized M3 Studios Miami production expertise and knowledge of the Miami market while shooting “El Capo 2”.

Production in Miami took place during a two-week time frame. Where crews shot scenes in Biscayne, Downtown Miami, & South Beach.

M3 handled the co-production in Miami, including everything from stunt & rescue coordination to security and police logistics to location scouting and even casting for extras and crew personnel.

Stay tuned to see some exclusive never before seen pictures from the production, we will be posting behind the scenes of the making of “El Capo 2” through our Website, Facebook and Twitter pages.

– M3 STUDIOS

 

Press Release: M3 Studios, Proposes A Solution To Burn Notice’s 7th & Final Season’s Dilemma with Coconut Grove Convention Center

FOR IMMEDIATE RELEASE

M3 STUDIOS, MULTI-MEDIA STUDIOS, PROPOSES A SOLUTION TO BURN NOTICE’S 7TH AND FINAL SEASON’S DILEMMA, IN THE HOPES OF MAINTAINING THE SHOW’S PRODUCTION IN SOUTH FLORIDA

M3 Studio’s filming infrastructure is a viable alternative to TVM’s current difficulties of shooting in South Florida

You’ve all seen it.  Roommate relationships ending the aggressive way:  clothes and expensive equipment flying out the window, pulverized soon after on the pavement below.  I’m sure Burn Notice, the veteran USA jam-packed action thriller, might wish there was a better solution to its similar living arrangement conflict with Coconut Grove, than experiencing this scene for the neighborhood to see.  Unfortunately for Burn Notice though, it doesn’t have the option of couple’s therapy like in USA’s freshman drama Common Law when dealing with the commissioners.  Lucky for TVM productions, M3 Studio’s has a solution.  We’re looking for a roommate and we see some good chemistry between us.  And trust us, we know how to treat our fellow cohabiters; M3 never opens a door with a sock on the doorknob, never leaves dirty dishes, always calls before having company, and never makes you build your own offices overnight (like some people have had to do.)  Interested in us, Burn Notice? Cause we sure are in you.

So what makes M3 your best relocation option?  While Marc Sarnoff, Coconut Grove Commissioner, suggested the drama be relocated to the upcoming Miami Entertainment Complex, is just a warehouse with the bare essentials, Fox Entertainment Studio’s Head of Production Robert Lemchen disagrees.  Lemchen said in response: “The cost of moving the show to another facility would be around $1 million,” so high because of moving costs associated with electrical wiring installation and a significant amount of necessary upgrades.  Though there will still be a cost to rebuild some of its sets, M3 Studios is a professional film facility already electrically wired, air-conditioned and ready to house television and film productions of Burn Notice’s stature.

M3 studios is a one-stop-shop, located 15 minutes from anywhere in Miami, a 122,000 sq. ft. facility that includes seven fully-equipped sound stages and studios, 60,000 square feet of flex-type space, easily transformable into production offices, standing sets, rehearsal space.  There are also four on-site parking lots that can be used as backlots for Burn Notice’s production.  M3 Studio’s is a fully air-conditioned, soundproofed, sound- conditioned 7-soundstage facility with lightning grids throughout, built in jails, interrogation rooms, un-used raw spaces, elephant doors to all stages, dressing rooms, make-up rooms, green rooms, full support areas, & plenty of backlots. We also have below-the-line capabilities, a convenient on-site transportation/limousine service and an in-house photographic studio with a large CYC wall, passenger elevators with freight elevator.  Plus, all amenities are strategically placed to provide one place to shoot, produce, edit, and master the production.

Don’t believe that a fully functioning studio infrastructure already exists in Miami? Just talk to some of our current roommates: Queen Latifah’s Flavor Unit Productions, Univision’s Al File de La Ley, Telemundo’s Relaciones Peligrosas & MTV’s newest series.

Oh, and Burn Notice, feel free to come tour the house anytime you’d like;  M3 is located at 4000 NW 36th Ave Miami Fl, 33142 and we can’t wait to meet you. A beautiful friendship awaits.

 

Showtime’s Dexter Creates a Viral Beehive with season 7 Teaser

Sorry, guys I couldn't resist. But it's in your best interest to forgive me.

 

Showtime’s dearly demented ratings darling, Dexter has released a viral locust plague throughout the social media universe. The upcoming seventh season about a Miami PD forensics expert who moonlights as a serial killer of those who’ve escaped justice is due to premier September, 30, and Showtime just played a cruel joke on its fans in the form of a “Sneak Peak” trailer released on Youtube and Facebook.

Who among us could resist the temptation to play it! At long last, we’d finally get a glimpse of life after Deb’s gruesome discovery.

Except what followed was a six second cluster of random yet tempting frames with no discernible content. Check it out below!

http://youtu.be/aq8PI_rw7u0

Talk about releasing the trolls. It garnered nine thousand “Likes” and three thousand comments within thirty five minutes! Tell me this doesn’t just beckon you to peruse through it frame by frame, dissect every image, and talk about it with friends and fans alike. The buzz is already flammable. While we hate being teased, we’ve got to tip our hats to Showtime for a brilliant marketing strategy that doesn’t rely on the archaic method of just slapping a trailer on Youtube. They have their fans doing their bidding at hardly any cost. Bravo.

Aaron Sorkin and a Generation of Digital Multitaskers

Aaron Sorkin has made a career writing on behalf of idealism. His films and shows – including “A Few Good Men,” “The West Wing,” “Moneyball,” and “The Social Network” – often feature heroes or anti-heroes on quixotic journeys to dismantle and remake the status quo. At the tenth annual Wall Street Journal: All Things Digital Conference, he discussed his own quixotic battle with a modern audience of distracted multitaskers who want their news in 140 characters or less while engaging with multiple screens (Laptops, tablets, televisions smartphones) at the same time. He also offered insights into his writing process while discussing two upcoming projects: “Newsroom,” a new HBO drama chronicling the behind the scenes conflicts of a cable news channel, and a Steve Jobs biopic based on Walter Isaacson’s biography on the late cultural icon.


For a plethora of reasons, television is replacing Hollywood for a lot of the quality cinema being released these days. This change can be viewed through the migration to smaller screens by Hollywood regulars like Dustin Hoffman and Michael Mann (Luck), William H Macy (Shameless), Thomas Jane (Hung), Claire Danes (Homeland), and Steve Buscemi (Boardwalk Empire).

Our appetite for condensed media and instant results has shrunk has evaporated our attention spans from a whopping twelve minutes, to a paltry five, according to this study http://socialtimes.com/attention-spans-have-dropped-from-12-minutes-to-5-seconds-how-social-media-is-ruining-our-minds-infographic_b86479. At one point, it was a whole twenty minutes. This gaping hole in our intellect has created a wide chasm that comprehensive writers like Sorkin must learn to cross. The way his audience watches his work has undergone a facelift. He’d be the first to admit that his material doesn’t make for good “background” music. It requires active participation and concentration, but the medium of television gives home court advantage to other distractions. The living room has become the wild west of digital ADD.

We don’t just watch TV, the way we do when we go to the movies, where we’ve invested (by purchasing a ticket) in the content and where social rules (for the time being) still frown upon using a cell phone in the theater. At home, we sit in front of the screen, check email, order stuff from Amazon, talk on the phone, get NBA, NHL, and MLB updates, while delegating our remaining brain capacity to absorb whatever content is playing on TV.

With millions of potential distractions competing for our attention, how does an old school craftsman like Sorkin change his approach? He doesn’t. He writes the “same way as the guys who wrote I Love Lucy” because “Storytelling is a very old art form, and the important parts of it don’t change at all…I still worship at the altar of intention and obstacle.”

The conversation also covers the accessibility that the digital age offers to aspiring filmmakers, where Sorkin comments on the fact major studios are no longer needed to finance start ups. Anybody can make a movie. But at the end of the day, you still have to “distinguish between what’s good and what’s bad. He also marvels at the intuitive trend of modern technology and cites how many toddlers can pick up a tablet and instinctively know what to do with it. If he could ask Steve Jobs a question, it would be “What’s that magic trick?”

Check out the full interview below for more insights into the mind of one of Hollywood’s smartest screenwriters.

http://www.youtube.com/watch?v=kN0yzItFWhU&feature=plcp

 

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