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What Really Happened at M3 Studios in 2019

Since 2003, M3 Studios has been your local Favorite Film Studio in Miami. Now its 2020 and we’re adding another extraordinary year under our belt. In 2019 we had many breakthrough moments like that time that Lunay, Bad Bunny, and Daddy Yankee, shot the music video Soltera Remix right here in the studio, which by the way, now has 463 MILLION views. Like what?! And then we had Becky G and Myke Towers shoot their music Video for Dollar that has over 181 MILLION views. I don’t know about you but that’s a lot of people. To put it in perspective, those two music videos combined equal the population of China. Like that’s insane!! I am legitimately mind blown 🤯

 

M3 Studios has had many renovations through the years but in 2019 we had a full-on facelift!

It took us a lot of work and patience but, it is finally complete. We wanted to start our time consuming renovation process by batteling the exterior first. With over 20 men working on various sections at a time, filling in cracks, sanding down, priming, and finally painting it took us a very long time to get the exterior to where it is now. We also added a glass ceiling to our outside patio area, and it took over 6 men to put up one glass at a time to make sure it didn’t crack. Lets just say, the panic attacks are finally done. After the construction and fixing was done we called in some local artist to finish up the job. They did such an amazing job adding mesmerizing murals to the once blank canvas.

We also renovated our support areas in Studio C, but you will have to check in for our next blog to see that. We added new services that include event space, exotic car rentals, office space, SRT Team, etc. We definitely did a lot and spent a lot of time, money, effort, and struggle, but it is finally done and we are so excited to show it off.

Now that was in 2019. In 2020, we have a lot of more surprises in store. Which includes but definitely not limited to… Updated website to make it easier to choose the stage that’s right for you, providing stunts and rescue services to clients, ability to capture ‘behind the scenes’ on-site, exotic vintage vehicle rentals on-site, a new
studio/rehearsal space, renovating studio support areas, interior art mural project, new standing sets, and so many more upgrades. You won’t want to miss out on all the new goodies we have in the works!

But for now, with over 7 different Studios, you are sure to find a space that accommodates your every need. From green screens to CYC walls to sound stages, support areas, and short term production offices, we’re the perfect match for your production.

 

We want to be apart of YOUR 2020 production journey!!

We only know where we’re headed if we understand where we came from. So now with our 20/20 vision 😎 let’s look back at some of the best moments in 2019 that happened here at M3 Studios!

Let us help you reach a breakthrough in 2020 with your productions!

We have a lot of awesome new additions coming in 2020. A revamped new look to the studio on the west side of the facility, renovations in our support areas, and a bunch of more little secrets.

You won’t want to miss out on a whole new M3 coming your way in 2020.

 

Check out some of the exterior renovations we did in 2019 for your self! 

Before                                            Process                                                After    

                      

                                                                                                                                                        

                                                                                                                        

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Challenges Facing Independent Filmmakers

Independent is the only true form of art; nobody doubts of an independent ballerina, writer, or sculptor, but when it comes to an independent film studio, the concept of independence seems to be unusual. To be independent in the film industry you need to be free from something, commonly the matrix of companies that dominate the production and distribution of film production in America. Most of the productions are made in Hollywood, a multi-million dollar business; and anyone who produces a film outside of this exclusive factory has to call itself  “independent” to be distinguished from the suit; however, as long as a film is screened in commercial theaters, or aired on pay or network TV, “independent” is a relative term.

It is not a secret for anybody that film industry is not as healthy and successful as it used to be. Hollywood is certainly thriving, and the future of the industry is bounded to the success of independent filmmaking, where the majority of personnel of Hollywood got their start. Unfortunately, independent filmmakers face several challenges, most of them have existed for decades, while others have recently appeared due to new technologies in the industry. The best way to face these challenges is by taking advantage of them, in order to use the weaknesses in our favor, though it might seem to be absurd.

Challenges Facing Independent Filmmakers:

Money and Financing

The majority of independent producers will agree that the most difficult task is raising money to pay for the production. The truth is that raising money is the key to any independent film, regardless of the position, experience, and past credits of the people involved. To choose the method that will fit better with the production is important to consider factors such as the type and subject of the film and the experience behind the cast and crew involved in the project. It is common to use crowdfunding platforms to raise money or to secure increasingly elusive government grants for short films. In fact, “the most beneficial situation for the filmmaker would be to receive 100% of the film costs from an equity sale in exchange for substantially less than 100% of the income” in a range of 25-50% according to “The Independent Filmmaker’s Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films”. Even though filmmaking should be commercially viable without the need for public funding, is important to remember that people or organizations invest in the films to make profits out of them; therefore film budgets need to stand the scrutiny of investors seeking cost-effective production, as well as a reasonable rate of return.

 

 

Digital Revolution

Digital revolution has transformed the film industry, including production, editing, post-production, marketing, and distribution processes. These technological innovations have forced film studios, rather independent or not, to respond to the popularity of the internet and the success of new digital platforms guided by a potential for profit. In fact, the widespread use of digital media technologies has resulted in considerable cost reductions, which have helped create more product than buyers. Additionally, the affordability of making films on digital media has increased competition. Several filmmakers fear bankruptcy; however, the challenge to filmmakers is to make unique genre-specific movies using digital technology. The genre is the only way that a film buyer and the marketing manager of a distribution company can quickly visualize the movie poster, trailer, and marketing campaign.  The industry is changing into a more consumer-centric one, nowadays consumers can enjoy podcasts, web shows, and can access them by downloading or streaming the product. It is important to focus on the benefits that the digital revolution has brought such as worldwide distribution and instant access to the final product.

 

Decline of Innovative Storytelling

Nowadays is more frequent to see sequels and remakes of stories we loved instead of new stories to enjoy.  It seems like the industry has reached a point of fatigue in which lack of ideas is the common denominator, resulting in low expectations among audiences; additionally, the gaming industry, which breeds on digital technology, has been influencing storytelling in the film industry. In fact, the incorporation of gaming techniques in terms of storytelling and visualization will make movies stronger; it is mandatory for independent film studios to focus their efforts on unique storytelling, these new ideas will stand out more than they have in the past.

 

Creative Control

In Hollywood, everybody has a specific role to accomplish, and there is a budget for that, but in the independent filmmaking industry is common to have limited resources. A low budget makes people assume multiple roles in order for a film to be produced at the lowest cost possible, as director Benjamin Dickinson said: The biggest challenge that I had making the film was just that I was wearing too many hats. This de-emphasis on specialization means individuals are less likely to develop the specialized skills that Hollywood and large film agencies demand. Ultimately, it is a hit or a miss, depending on the director’s ability to wear multiple hats.

Essentiality of Social Media

Social media is becoming an essential part of a film’s package, that is why it is necessary to adopt a robust social media strategy in order to evaluate what is making an impact. Nowadays, we have more access to data than ever before that can help filmmakers to understand the audience they are trying to reach,  and create not only awareness but stronger loyalty and engagement for the long term; unfortunately, filmmakers are not collecting and analyzing efficiently their data. As an example, ‘Paranormal Activity’ may have cost a mere $15,000 to make. What Paramount bought was not the film, but the social media strategy that the filmmaker Orin Pelli developed around his film.

Film Distribution

The traditional film distribution model has been working good for big budget films, but for many other mid-, small- and micro-budget films it is almost impossible to achieve the results desired. Additionally, independent filmmakers end up competing against each other for limited attention and fragmented audiences due to the fact that there are too many films being made. At a movie theater, independent films face several challenges more than a regular film. First, they need to put in the effort of distinguishing themselves from the other independent films that are opening at the same time. Secondly, they need to invest in identifying their audience efficient. And thirdly, they need to be worthy for the audience that will pay for the ticket. Independent filmmakers are beginning to explore Video On Demand  (VOD) as a distribution method. Thus it allows filmmakers to reach larger audiences with relative ease, streaming services don’t provide nearly the same return as physical sales of DVDs; therefore, many independent filmmakers fear that this technology may lead them to go bankrupt if they are not able to attract the same volume as larger Hollywood films that garner millions of viewer. To overcome this issue, independent filmmakers often develop a hybrid distribution strategy that encompasses traditional releases with online distribution in platforms like Netflix and Amazon Prime.

Conclusion

The independent film industry is full of challenges as summarized in this article. Film studios normally face issues raising money to pay for the production, making unique genre-specific movies using digital technology, incorporating gaming techniques in terms of storytelling and visualization to make
movies stronger, assuming multiple roles in a film to reduce costs as much as possible, understanding the audience they are trying to reach, and distributing the final product through different channels. Although these are challenges that can be recognized easily, the solutions seem to be far away whether for the companies themselves or those public sector agencies which support the industry. Unfortunately, the structure and economics of independent film productions are not well suited to build sustainable companies which leads to a  number of serious challenges that threaten to limit filmmakers’ creativity and push the industry even further into the shadows. It is important that the industry focuses on finding solutions to these pressing issues. As viewers, we just enjoy the final product without understanding all the challenges that filmmakers faced behind the scenes. We need to internalize that making a great movie goes above working extremely hard, and having luck; the truth is that it needs love, passion, commitment, and tons of patience, especially if we are talking about independent films.

 

Filmed At M3: DJ Chino – Si Te Agarro ft. Fito Blanko, Papayo

DJ Chino filmed his new music video for “Si Te Agarro” featuring Fito Blanko & Papayo at M3 Studios.

Choosing many of the locations around the lot to use for the video, from our industrial freight elevator, to mood halls and staircases, to scenes shot within a soundstage, the facilities numerous on set location type settings added to the atmospheric feel of the video. It also never hurts when you get some sexy latin women in lingerie, catchy hook, great rhythms and you have yourself one hell of a video, “esa nena quiere que yo la ponga a vacilar!!! ”

Contact me and find out why the music industry prefers shooting their music videos at M3 Studios Miami, from production office space, soundstages, production studio, green screen and white cyc walls we have everything you need to produce your multimedia project.

DJ Chino – Si Te Agarro ft. Fito Blanko, Papayo

Directed by Bobby Viera

– @HollywoodHenry

ps. Catch the Pitbull cameo?

Hologram Resurrections Won’t Stop with Tupac

Coachella was just the beginning.

 

The estates of Elvis Presley, Marilyn Monroe, Jim Morrison, and Jimi Hendrix are entering an arms race over the possibilities of generating their own holographic concert tours to cash in on the buzz that Tupac’s posthumous revival garnered earlier this summer.

 

People tend to respond to ghost sightings with psychotic breakdowns, or a neatly plotted series of epiphanies about life and death in the spirit of old Ebenezer Scrooge. But now it seems they are willing to pay cold hard cash to be haunted by the nostalgia of history’s most iconic entertainers.

Tupac wasn’t the first artist to perform from the grave. Who could forget Elvis’ passionate 2007 duet with Celine Dion on American Idol? Of course that was done using a body double and a technique known as “rotoscoping,” not the hologram technology developed by Digital Domain, who will also revive Elvis for his upcoming tours.


Elvis and Celine perform “If I Can Dream.”

There is something unsettling about the lengths people will go to profit from the dead, especially given how “realistic” these holograms are and how they can blur the threshold of reality. Just think of  the intuitive way Tupac greeted the crowd: “What the F**** up, Coachella?!” (Coachella wasn’t even around until seven years after his death). Additionally, all of the above mentioned artists have one common denominator: Their deaths captivated the nation with a collective gasp of sorrow and paranoia that still fuels a vortex of conspiracy theories to this day, which likely says something about our obsessions.

 

Regardless of where you stand on the moral and ethical implications of this technology, there is no doubt that this new meme has the potential to restructure the way the audience consumes entertainment.  The verdict is still out on whether this new fad will fizzle like ghost hunting shows, Charlie Sheen, and the Mayan calendar, or if it will create a new ballpark for the artist.

 

Coachella may have been for thrills, but the hologram technology can very well introduce a whole new generation to the work of deceased artists. But that’s just scratching the surface. Even artists who are still alive can utilize it by producing concerts without leaving their studios. These “micro” concerts can distribute their content at a discounted price for the audience (though it’s probably not financially feasible at this point), and raise the premium on actual live shows.

Eventually, like most technology, it may enter the consumer market and allow individuals to download (at a cost) performances of musicians both dead and living, and host their own concerts from the comfort of home. Think of the traffic your next wine tasting could generate if it’s headlined by the Red Hot Chili Peppers!

Music wouldn’t be the only medium of entertainment to be affected by holograms.  Could you imagine Bruce Lee co-starring in the Expendables 3? Or Johnny Depp on the screen with James Dean?

But again, that’s thinking small. Mark Hamill once said that if “there were a way to make movies without actors, George Lucas would do it,” and this technology might eventually revolutionize the acting profession as we know. It’s reminiscent of Al Pacino’s S1mone, where he plays a film producer desperate for a hit who digitally creates an overnight sensation. Think of a customizable, aesthetically appeasing, skillfully flawless, egoless,  triple threat star, who can act,sing, dance, perform his/her own stunts and never age. Sounds like a wet dream for George Lucas.

Of course, much of this is pure speculation, and hologram technology is still in its nascent stage of development. It could very well dissipate and be rendered into a cheap gimmick used to lure gamblers to roadside casinos. Only fools rush in according to Elvis, but money is a smoldering temptress.

Tupac at Coachella

Aaron Sorkin and a Generation of Digital Multitaskers

Aaron Sorkin has made a career writing on behalf of idealism. His films and shows – including “A Few Good Men,” “The West Wing,” “Moneyball,” and “The Social Network” – often feature heroes or anti-heroes on quixotic journeys to dismantle and remake the status quo. At the tenth annual Wall Street Journal: All Things Digital Conference, he discussed his own quixotic battle with a modern audience of distracted multitaskers who want their news in 140 characters or less while engaging with multiple screens (Laptops, tablets, televisions smartphones) at the same time. He also offered insights into his writing process while discussing two upcoming projects: “Newsroom,” a new HBO drama chronicling the behind the scenes conflicts of a cable news channel, and a Steve Jobs biopic based on Walter Isaacson’s biography on the late cultural icon.


For a plethora of reasons, television is replacing Hollywood for a lot of the quality cinema being released these days. This change can be viewed through the migration to smaller screens by Hollywood regulars like Dustin Hoffman and Michael Mann (Luck), William H Macy (Shameless), Thomas Jane (Hung), Claire Danes (Homeland), and Steve Buscemi (Boardwalk Empire).

Our appetite for condensed media and instant results has shrunk has evaporated our attention spans from a whopping twelve minutes, to a paltry five, according to this study http://socialtimes.com/attention-spans-have-dropped-from-12-minutes-to-5-seconds-how-social-media-is-ruining-our-minds-infographic_b86479. At one point, it was a whole twenty minutes. This gaping hole in our intellect has created a wide chasm that comprehensive writers like Sorkin must learn to cross. The way his audience watches his work has undergone a facelift. He’d be the first to admit that his material doesn’t make for good “background” music. It requires active participation and concentration, but the medium of television gives home court advantage to other distractions. The living room has become the wild west of digital ADD.

We don’t just watch TV, the way we do when we go to the movies, where we’ve invested (by purchasing a ticket) in the content and where social rules (for the time being) still frown upon using a cell phone in the theater. At home, we sit in front of the screen, check email, order stuff from Amazon, talk on the phone, get NBA, NHL, and MLB updates, while delegating our remaining brain capacity to absorb whatever content is playing on TV.

With millions of potential distractions competing for our attention, how does an old school craftsman like Sorkin change his approach? He doesn’t. He writes the “same way as the guys who wrote I Love Lucy” because “Storytelling is a very old art form, and the important parts of it don’t change at all…I still worship at the altar of intention and obstacle.”

The conversation also covers the accessibility that the digital age offers to aspiring filmmakers, where Sorkin comments on the fact major studios are no longer needed to finance start ups. Anybody can make a movie. But at the end of the day, you still have to “distinguish between what’s good and what’s bad. He also marvels at the intuitive trend of modern technology and cites how many toddlers can pick up a tablet and instinctively know what to do with it. If he could ask Steve Jobs a question, it would be “What’s that magic trick?”

Check out the full interview below for more insights into the mind of one of Hollywood’s smartest screenwriters.

http://www.youtube.com/watch?v=kN0yzItFWhU&feature=plcp

 

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